By Stanley Senya
Accra, Mar. 5, GNA – Renowned Ghanaian artiste Jeremiah Quarshie is set to unveil his second solo exhibition in Ghana, ‘Memories of Yellow: A Game of Power and Chance’, in Accra.
Curated by Samuel Baah Kotey, this exhibition is an exploration of the water crisis affecting the city and a tribute to the resilience of women who navigate the challenges daily.
A statement issued in Accra said the event, which opens on Thursday, March 6, 2025 at 1700 hours comes off at Gallery 1957-Gallery II at the Kempinski Hotel Gold Coast City, Accra.
It said the evening would begin with an artist talk in the Pearl Meeting room before the opening of the exhibition and continue till April 26, 2025.
The statement said the exhibition promised to be an immersive experience, with various elements designed to create lasting memories for attendees and Mr Quarshie’s artistic journey began at a young age, where he had been drawing since he was two.
It said choosing to pursue art despite societal pressures, he studied fine arts and gained valuable experience working with museums and art institutions in Europe.
His first solo exhibition, ‘Yellow is the Colour of Water’ introduced audiences to his unique perspective on water-related themes.
In ‘Memories of Yellow’, Mr Quarshie expanded on his exploration of the water crisis, capturing the experiences of women from diverse backgrounds.
“These women are not just representations of Ghanaian or perhaps African womanhood; they embody strength and dignity in the face of adversity,” he explained.
His work often resembled photographs, inviting viewers to connect with the subjects on a personal level.
“Mr Quarshie believes that art should be an integral part of social life, capable of provoking thought and inspiring action.
“I want to create memories that people will carry with them long after they leave,” he said.
His commitment to addressing social issues through art according to the statement stemmed from his desire to give back to the community and many artists dream of creating opportunities for others.
“Rather than simply enjoying the fruits of our labour, we invest in the system—organizing cultural events and creating training and learning opportunities for others,” he said.
He recognised that art could significantly contribute to economic development, as seen in many European countries where museums and galleries serve as major revenue sources.
He said despite the growing interest in art within Ghana, local artists faced challenges in gaining recognition and support. “Most of our artworks end up in the hands of foreign collectors,” Mr Quarshie lamented.
He emphasised the need for a culture of supporting local talent and he aimed to challenge prevailing narratives about African art and women, showcasing their power and dignity through his work.
As the exhibition approaches, Mr Quarshie reflected on the impact he hoped to achieve.
“I want people to walk away with a deeper understanding of the water crisis and its effects on our society.
“Art is a powerful tool for storytelling, and I hope my work resonates with those who experience it,” he added.
“Memories of Yellow: A Game of Power and Chance’ promises to be a transformative experience, inviting audiences to engage the pressing issues of water scarcity and the resilience of women in Accra”.
GNA