Actors are already studying the Stanislavsky’s system and Meyerhold’s biomechanics, while also getting acquainted with Moscow’s theatre scene
Sept 11 (TV BRICS/GNA) – The Russian Institute of Theatre Arts (GITIS) is currently hosting the InteRussia international fellowship programme, “Professional Training for Drama and Film Actors”. Fourteen young actors from Argentina, Brazil, Germany, India, Egypt, Türkiye, South Africa, Malaysia, China, and Ethiopia are participating in the programme.
Immediately following the opening ceremony and an introduction to the institute’s history, the participants began practical sessions on stage speech. Later, they attended lectures on the creative journey of Konstantin Stanislavsky and the evolution of his system. The interns also began mastering stage movement and Vsevolod Meyerhold’s biomechanics.
Nadine Amer, an actress from Egypt holding a bachelor’s degree in acting and theatre directing, highlighted the special place Russian art holds in global culture.
“Russian art is among the most renowned in the world. It is celebrated for its ballet, opera, and school of acting. When we actors study the craft of acting, we are essentially studying the history of Russian theatre – from Stanislavsky to all the Russian figures who have made invaluable contributions to the development of the performing arts,” she said.
According to Nadine, Russian theatre changed the world’s perception of the performing arts. “It was innovative and transformative – and its influence endures to this day,” the actress stated.
Cheyenne De Sousa, a participant from South Africa, admitted that the Russian theatre system was a revelation to her, thanks to its foundational nature and its focus on the actor’s physical presence. “We analysed Stanislavsky’s original method in detail, studying it step by step. We then turned to how his students – Michael Chekhov and Meyerhold – adopted this system and subsequently transformed it. We paid special attention to Meyerhold’s biomechanics – that is, how the body and the physical aspect influence the performance of a role,” Cheyenne explained.
Anton Chekhov’s plays “The Seagull” and “Three Sisters” hold a special place in her heart; it was through these texts that she was first introduced to Russian drama at university. She considers the fact that the classes are taught by Russian instructors – allowing students to grasp the material within its authentic cultural context – to be a truly valuable opportunity.
“With modern technology, it is easy to access any information remotely, but there is something entirely different about live human interaction and the chance to stay here long enough to experience Moscow in all its fullness. There is real depth to that,” the actress shared.
The educational programme is complemented by a rich cultural agenda. The trainees have already visited the offices of the TV BRICS International Media Network and taken a sightseeing tour of Moscow. Upcoming plans include a trip to Melikhovo, the Anton Chekhov museum estate.
The fellowship runs until October 3, 2026. Classes in acting, stage speech, and movement are conducted by leading professors from GITIS. Participants also have upcoming visits to the Bolshoi Theatre, the Moscow Art Theatre, a performance of “The Nutcracker” ballet at the Kremlin Palace, and other events.
The fellowship is organised by GITIS in partnership with the Gorchakov Fund, the TV BRICS International Media Network, and the Autonomous Non-Profit Organisation “Mezhdunarodniki”. It is held as part of Rossotrudnichestvo’s flagship “New Generation” initiative, with support from the Presidential Grants Foundation.
GNA/TV BRICS