By Patrick Ofoe Nudzi
Accra, Dec. 18, GNA – UNESCO Ghana has emphasized that the country’s journey towards returning its artifacts must involve a thorough process of repair and reconciliation.
This process should address the injustices caused by the expropriation of cultural materials, human remains, and intangible heritage by colonial powers.
It should involve reclaiming traditional knowledge systems, addressing socio-political inequalities, revitalizing shared cultural narratives, and promoting a dialogue based on mutual respect.
Mr. Carl Ampah, UNESCO’s National Programme Officer, said this at the African Restitution Forum, which was organized by the University of Ghana’s Department of Archaeology and Heritage Studies in collaboration with the Ghana Heritage Committee.
The event occurred at a crucial time as Ghana was in the process of reclaiming its cultural sovereignty through the return of artifacts and royal regalia to the Ashanti Kingdom.
Mr. Ampah, speaking on behalf of Mr. Edmond Moukala, Representative of the UNESCO Accra Office, said that restitution involved not only repatriation but also reparation, accountability, and establishing equitable relationships.
He underscored the significance of the UNESCO 1970 Convention on the Means of Prohibiting and Preventing Illicit Import, Export, and Transfer of Ownership of Cultural Property as a foundational document for discussions.
Mr. Ampah called for international cooperation in returning cultural heritage to its rightful owners.
“A recent BBC article published on December 3, 2024, claims that Cambridge University alone has 350,000 African artefacts and manuscripts including human remains, photographs and natural history specimens in their collection,” he noted.
“How many more are unaccounted for? Do communities have an idea numerically of artifacts outside their possession and under different ownerships?” he asked.
Mr. Ampah praised the outstanding leadership of the Asantehene, Otumfuo Osei Tutu II, whose efforts led to the recent return of 28 additional Asante gold artifacts and regalia created by 19th-century Asante royal artisans.
“These artefacts which include linguist staffs, ceremonial swords, and intricate gold weights, serve as a testament of the artistry and resilience of the Asante people and exemplify the possibilities of restitution when met with determination and collaboration,” he said.
Mr. Ampah stated that the artifacts had been disconnected from their sacred and cultural contexts but are now being returned to their rightful owners, thereby reinforcing their importance in cultural heritage, history, and identity
He mentioned that UNESCO supports the mission of justice and restoration and looked forward to a future where cultural heritage was not just a relic of the past but a living symbol of shared humanity and mutual respect.
GNA